Luke Cage SN1 EP01- ‘Moment of Truth’

A steady but engrossing premiere introduced us to the world of Luke Cage.

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*Full Spoilers Ahead*

Wasn’t that something? After all the films and TV shows that have come before it, you could be forgiven for wondering just how Marvel was going to bring us yet another comic book property that still felt fresh and exciting. Well Luke Cage succeeds in being both of those things in a multitude of different ways, once again proving the genius of Marvel Studios.

The first thing that struck me about Luke Cage is how tonally different it feels to Marvel’s other Netflix shows. Daredevil and Jessica Jones are famous for the darkness that shrouds each episode, but whilst Luke Cage maintains that same level of gritty realism, the overall tone is somewhat brighter. This is immediately obvious, and I do mean immediately, as a sense of warmth is portrayed even in the opening credits. The warm yellow colours are in stark contrast to the dark reds of Daredevil and the cold purples of Jessica Jones, and this brighter atmosphere carries across to the opening scene. As the characters jovially chat about (forgive my ignorance) either Basketball or Baseball (maybe neither), a strong sense of fellowship and community is portrayed within their actions. The naturalistic nature of their conversation allows the audience to relate to them in ways that haven’t been entirely possible with the other Netflix shows.

The tone does darken as the episode goes on, but the show never loses the feeling of hope and togetherness. This is largely thanks to protagonist Cage. As powerful as the opening scene was for depicting tone, it also did a wonderful job of reintroducing us to Luke. Showrunner Cheo Coker rightly bypasses catching us up with what Luke’s been up to since Jessica Jones, instead giving us a man with a whole new set of problems. Cage struck an imposing but also intriguing figure throughout the opening scene. He is clearly a man trying to live a normal life, and his stuttered and ultimately unsuccessful attempts to engage in conversation with the barbershop folks reflect this. He may have amazing abilities, but at the end of the day is still a man struggling through life like the rest of us, and this was continuously emphasised throughout the episode.

Luke’s struggles with money and women put him in stark contrast with Cottonmouth. Both have power, so whilst Cottonmouth uses his to gain influence and grant himself luxuries, Luke shies away from his due to the damage it has caused, despite what he could gain from it. It’s the kind of hero-villain relationship that is used often, them being polar opposites of one another, but tweaked just enough so that it’s still exciting. What is that change? Well the fact that Cottonmouth isn’t at the top right now. He’s not really the man in charge. That’s a wrinkle personified by the character of Shades. It’s clear he’ll play a big part in Luke’s backstory, but as soon as Cottonmouth screws up he is subsequently always beside him. His story will be one of increasing his power then. Of becoming King. Having villains fight one another was glimpsed only briefly in Daredevil Season 2, so it once again pushes Luke Cage into fresh new territory.

This episode was about introducing us to Luke Cage’s world, so as such we were introduced to a lot of characters. Two standouts were Misty Knight and Mariah Dillard. Both are based upon pre-existing comic book characters, and both play a pivotal role in Luke’s story. Misty’s wisecracking badass detective persona was balanced by her flaws, and this is again what makes characters so great. Whilst on the job she has sex with Luke, a moment that looks set to cause problems going forward, but it is also a moment that will serve to keep the character grounded. Similarly, councilwoman Mariah Dillard is mixed up in illegal business and could easily see her power crumble. Adding these flaws to characters prevents them from being larger than life, they don’t have to be perfect, and it causes both victories and failures on their part to be all the more satisfying for the audience.

It would be remiss of me not to mention the place Luke Cage holds as a form of media in the current climate, where racial tensions are increasingly tested every day. I’m not a man of colour, so I won’t pretend to fully understand what people who are have to endure day to day, however I do understand the value Luke Cage has and the effect it could have on audiences. As a Marvel property Luke Cage has an enormous outreach, and the ability to both celebrate black culture and help a mainstream audience learn and understand the problems faced by all people of colour. The show paid reference to events and movements occurring in real life and this shouldn’t be shied away from. Luke Cage is the kind of show people need right now, and with any luck it will get people thinking about what’s going on in the world.

Of course there was plenty to see in this episode, so other highlights include:

  • How great was the music? There were some standout pieces in there. I know the score is always used to emphasise the events onscreen, but the way it was used here just seemed more noticeable somehow.

  • I didn’t catch his name but I liked the Barber. He’s obviously intended as a father figure to Luke, so that has me worried that he won’t make it to the end of the season, but the joyous outlook he has on life was refreshing, especially in contrast to Luke’s brooding.

  • What do you reckon is gonna happen to the barbershop though? Given the history of these Netflix shows it doesn’t have long left to stand.

  • References to ‘The Incident’ here. How long before Tony Stark just swoops down and says “Hi”. Please let that happen.

  • There were some interesting flashes of Luke’s past here that will no doubt be explored later in the season, but it certainly signals a rich and interesting backstory, and carries on the tradition of the Netflix heroes being haunted by their past.

  • The scene with Cottonmouth beating that guy to death was brutal, and certainly conveyed how unhinged his thirst for power is making him, though I doubt anything will ever top the car scene from Daredevil.

  • Though he got his hands dirty this episode, both Cottonmouth and Mariah seem like the smart kind of villains, which is always enjoyable. Verdict’s still out on Shades though, who looks like he could go either way.

  • I wouldn’t have minded if we weren’t given a full display of Luke’s power in the first episode, but I think it was necessary, especially to entice any new viewers. The whole scene was great as Luke overpowered the entire gang with a calm nonchalance, and the last standing member evoked a similarly fun scene from Iron Man 3.

So this was a stellar opening episode for Luke Cage, as he proved to be just the kind of hero we need right now. With a refreshing tone that clearly differentiates the show from its Netflix fellows, and a superb cast that promise to deliver an excellent story, it’s clear we’re in for a real treat with this one. The slow burn was necessary to establish this world and its characters, as it feels we barely scratched the surface of what’s to come, and I am very excited for that indeed.

Luke Cage Delayed Marvel’s Iron Fist

The Netflix/Marvel series have been incredibly successful in the last few years, adding a new dimension to the Marvel Universe. In 13 episode runs, the characters are given room to breathe and develop, and the launch of the series every six months or so is considered to be a big event. Fans were delighted when it was announced that four solo shows – Daredevil, Jessica Jones, Luke Cage and Iron Fist – would be made in the run up to The Defenders, which would feature all four heroes. However, while Murdoch, Jones and Cage hit the screens fairly quickly, Iron Fist‘s Danny Rand seemed to be nowhere in sight. Some fans even thought they might not even get the series at all.

Luke Cage showrunner Cheo Coker is taking the blame for that one. In a recent interview with Complex, he explained that originally it was all going to be taken quite slowly and Iron Fist was scheduled to come before Cage, however the momentum built up by Daredevil and Jessica Jones meant they decided to jump in and make them quicker. Luke Cage’s popularity in Jessica Jones made him the obvious choice choice for the next new show. Coker said, “Marvel went from, ‘We’re gonna take our time’ to ‘Let’s flip it and do Luke Cage first. We’ve got this great concept and this guy is leaping off the screen, let’s follow the momentum.’”

Don’t worry Rand fans, you won’t have to wait too long! Game of Thrones star Finn Jones was recently cast as the leading man in the Iron Fist series, and it’s due to land next year. The trailer was shared at San Diego Comic Con, and if you missed it, here it is:

Luke Cage launches on Netflix TOMORROW!!! (30th September) Hooray!!

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Samuel L. Jackson Says S.H.I.E.L.D Will Return To The MCU

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It has been over two years now since the release of ‘Captain America: The Winter Soldier’ saw S.H.I.E.L.D fall at the hands of Hydra, forever branded as a terrorist organisation. Well maybe not quite forever.

In an interview with ComingSoon.net for ‘Miss Peregrine’s Home for Peculiar Children’ Nick Fury himself, Samuel L. Jackson, weighed in on Shield’s place in the franchise and whether there is ever a way it could come back.

“Yeah! For sure, definitely. Why wouldn’t there be? There’s some way of fixing what they created, and hopefully somebody has that going on or Nick Fury is out there — wherever he is, probably hanging out with Jules and walking the world — figuring out what happened and how it got to that particular place. Maybe they’ll find out that all that was part of a ruse to get to something else also. That would be great. They’ll bring me back somehow, some way, for some reason. I mean, they didn’t have me around to referee the kids when they didn’t go to their rooms and got in this big old fight. We’ll see what happens.”

Seems pretty likely then. This also lines up with ongoing events in ‘Agents of Shield’, as the latest episode saw Coulson and the new Director attempting to secure Shield’s place in the world as a legitimate organisation again. In any case, I’m sure we’ll find out once ‘Infinity War’ rolls around.

 

Iron Fist Writer Joins Runaways Team

It was recently announced that US streaming service Hulu will be making a series of Marvel’s Runaways. The comics, which ran from 2003-2009, features a group of super-powered teenagers who discover their parents are part of an evil crime organisation, known as “The Pride”. Even though it finished seven years ago, it has remained a fan favourite, and it’s ensemble cast lends itself very well to a TV adaptation.

It had already been released that the showrunners would be Josh Schwartz and Stephanie Savage (Gossip Girl) and executively produced by Marvel TV stalwarts Jeph Loeb and Jim Chory. Yesterday, Iron Fist writer Tamara Becher announced that she too has joined the team bringing Runaways to the screen.

Beacher is no stranger to teen ensemble casts, as she formally wrote for Joss Whedon‘s classic Buffy: The Vampire Slayer. She has just finished work on the Netflix/Marvel series Iron Fist, due for release next year, and she obviously impressed the comic moguls, as they’ve snapped her up quickly for this new project.

It’s not the first time Marvel has collaborated with someone other than Netflix to produce a TV series; Agents of S.H.I.E.L.D. is on ABC. The difference here is that Hulu is another streaming service, rather than a comer coal network, making it a direct competitor with Netflix. At present, it’s unclear whether the Runaways series will link in to the wider Marvel Cinematic Universe, like Daredevil, Jessica Jones and AoS have, or whether it will be standalone.

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‘Marvel, after careful consideration I’ve decided to endorse your film’ – Sam Neill To Cameo In Thor Ragnarok

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Sam Neill has confirmed that he will cameo in the upcoming Marvel  film Thor Ragnarok. In an interview with ShortList, he revealed ‘I’m not really allowed to say this and I can’t tell you what it is…I did a couple of days on Thor just before I came over here.’ Sam Neill is most famous for playing paleontologist Alan Grant in Jurassic Park…and he isn’t the only Jurassic Park actor set to star in the movie. Jeff Goldblum will also appear as The Grandmaster, a character who is part of the Marvel supervillain group known as the Elders of the Universe; he first appeared in The Avengers #69. The Grandmaster won’t be the first Elder of the Universe to make an appearance in the MCU. Benico del Toro played The Collector in Guardians of the Galaxy, a being who owns an ever-growing collection of various interstellar species, relics and fauna.

Whilst Thor Ragnarok is proving to be a Jurassic Park reunion, don’t expect to see Sam Neill in Jurassic World 2, if his theory about Mr Grant is anything to go by.  When asked about a possible return to Jurassic Park, he offered his own narrative reason for why we may not see Alan Grant again: “I think the problem is that no one knows where Alan Grant is anymore. He’s retired from paleontology. He’s sick to death of dinosaurs and running. He’s not quite as fleet of foot as he was, and he’s now retired to Dayton, Ohio, and has a very successful accountancy business… I think that’s what’s happened to Alan. Either that or he’s dead,”

According to Sam Neill, “Someone found his hat. His hat was floating on the Hudson river, but that was the last ever heard of him,”. He also makes a good point about the aftermath of Alan’s traumatic experiences on Isla Nublar and Isla Sorna: “How do you recover from all of that stuff? I don’t think therapists are trained to deal with post-dino stuff. No. I don’t think you get over it. Accountancy would be one way,”

Hopefully there’s still a chance that we’ll get to see Jeff Goldblum in Jurassic World 2 – because who wouldn’t want to see Chris Pratt and Jeff Goldblum in the same film? It’s a shame we’re likely not getting a full Jurassic Park reunion anytime soon though.

Thor Ragnarok will be in cinemas 27th October 2017, whilst Jurassic World 2 will be released on 7th June 2018.

 

Mr Sinister Mock Up Pic Released

So we found out a few months back that Richard E. Grant had signed on to play Mr Sinister in the new Wolverine 3 movie and Comicbookmovie.com enlisted the help of artist Hamza Javed (hjaved.artto mock up what he may look like as Mr Sinister.

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Lets me know what you think of the mock up image via my Twitter account @Deadpool_1984

Agents of S.H.I.E.L.D SN4 EP01- ‘The Ghost’

Ghost rider made his fiery debut in a spectacular episode that flipped the status-quo yet again.
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Photo Credit: Marvel/ABC

Agents of Shield is back, and it’s back with a vengeance. After what felt like a very intimate Season 3, very much focused on threats the Agents had created for themselves, the opening episode for Season 4 makes its position known straight away. It’s going to be bigger, better and bolder.

The new direction the show is going in, is in no small part thanks to its later timeslot. Sure we all panicked when that move was initially announced, worrying it spelled doom for the show (it still could), but just from one episode you can tell the show has benefitted greatly from it. The brilliant opening scene said it all. The use of flames to shroud Ghost Rider’s initial appearance in mystery made him extremely menacing, a feeling amplified as blood spattered about the scene. This was just the first instance of the merits of the new timeslot. Increased gore, so long as it isn’t gratuitous, adds to the sense of gritty realism the show has been perfecting throughout its run. Somehow, the past has seen a multitude of melting and disintegrating bodies, as well as a character’s head being peeled open, but blood has been weirdly absent. I don’t know the specifics of what can be shown when on TV, but it’s nice to see the show lose some restraints.

What was most surprising about this episode was just how much it disturbed the status quo…again. We’ve seen this happen time and again, but the one constant was that the team was (usually) all together. Not now though. The team has splintered as a result of the meddling new Director, who’s no doubt going to be a thorn in our sides all season, and as such the relationships carefully crafted over 3 seasons are fracturing, secrecy and mistrust poisoning them. This is most clear with Simmons’ new position as ‘Scientific Advisor to the Director’. Though she says she’s trying to remain in control of things, her close position to a man clearly intent on keeping the old group apart makes her hard to trust. Neither May nor Fitz trust her with pretty big secrets, whilst I’m certain Coulson would’ve told Fitz about Daisy had Simmons not been with him. It’s a situation that will no doubt cause drama throughout the season, and it’s exciting because it’s not really something the show has done before. Coulson never had to deal with procedure so much with Nick Fury as his best friend, so to have someone so close to him instigating rules he doesn’t necessarily agree with will be a big issue for him.

The show did a lot of world building this episode, introducing us to several new characters, whilst providing tantalising updates on existing ones. After a full episode focusing on them last season, The Watchdogs sort of fizzled away until Hive used them as Guinea Pigs. Now it seems they’re controlling half the criminal underworld, possibly in line to be the season’s next big bad. I say possibly because there are several contenders for that position. Ghost Rider is clearly going to be a target for Shield, but probably the most exciting reveal to come from the episode was that SHIELD is going all in on the supernatural this season, with what looks to be an actual ghost. It’s still unclear exactly what she makes people do, but given she’s now on the loose, and the fact that May has been affected by her means it likely won’t be long before we find out.

The highlight of the episode though was the fight between Ghost Rider and Daisy. Before the two sussed one another out, there seemed to be a few sparks flying, specifically from Robbie, but this was soon eclipsed by the fight. The full reveal of Ghost Rider is something we’ve been waiting to see since he was announced. Many wider Marvel fans scoffed at the idea of Ghost Rider being one justice on a TV budget, but these are likely people who stopped watching close to the beginning when the VFX were still evolving with the show. Since then we’ve been subject to some real visual treats, such as the Hive reveal, and the aforementioned melting bodies. The visuals did an excellent job at conveying the pain behind Robbie’s transformation. His skin is burning right off, and the look in his eyes expertly signalled how painful the process was for him. With the transformation complete, it was impossible even for non-believers to scoff at what they had seen. Everything from the billowing flames to the movement of the skull was expert, and left me eager to see more. What’s nice is that he also posed a true danger to Daisy. Other than when she first received them, we’ve never really seen Daisy drained by her powers, so it being brought up here will likely factor into her return to Shield. However even with the injuries, Ghost Rider was presented as a truly formidable threat.

The look into Daisy’s psyche in general was good. There has been much speculation as to why she left Shield. It was clear it had something to do with Lincoln’s death, but to learn she severed all ties so that she had nothing else to lose was heart breaking. Shield is family to her, so for her to reach a point where she can no longer face them speaks to the effects of last season upon her. In fact, the effects of last season lingered throughout the episode. Not only the Sokovia Accords, but the deaths of Lincoln and Andrew have made such an impact, that the smartest guy on the team is risking everything to build an intelligence that is bound to go rogue. That being said, Shield does a brilliant job at subverting our expectations, so I’m confident that the Aida subplot won’t follow traditional AI story structure.

S.H.I.E.L.D Zephyr One Report Log_Events of Interest and Enquiry:

  • The chemistry between Mack and Yo-Yo has always been fun, but it really stood out this episode. It felt like Yo-Yo has become much more free spirited, whilst Mack has returned to his roots as a stickler for the rules.

  • The rapport between Fitz and Dr Radcliffe continues to be one of the strongest elements of the show.

  • Speaking of Dr Radcliffe and Yo-Yo, I hope their significant presence within the premiere is an indication that they will be around a lot for this season.

  • Agent Piper returned! No big ass gun this time, but hopefully we’ll see her more often as well.

  • Loved hearing Aida say she’d be a Shield. Given how alive she is no doubt that will ignite debates of morality.

  • Got a glimpse of the relationship between Robbie and his brother, but not enough on either of them yet really to justify what he’s doing. Which is fine, as at the moment the show is painting him to be more of a villain.

  • Have I seen the hula girl ornament that was on Daisy’s dashboard before? It rings a bell but I’m just not sure.

Overall this was a fantastic premiere episode for ‘Agents of Shield’s’ 4th season. Ghost Rider was the main concern going into this, but the visuals were stellar, making him a mix of awe inspiring and just plain formidable. After so long together it was somewhat jarring to see the team so splintered, but at the same time makes sense to push us and them into unfamiliar territory. It will be interesting to see how the team dynamics play out with this newfound level of secrecy amongst them all. With some unexpected surprises and tantalising teases displayed, you can bet that this season is gonna be on fire.

New Doctor Strange TV Spot Released – But This Reality Is One Of Many…

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…there’s probably another reality out there where it HASN’T been released. But in this reality, it has. You can see it below:

Many of the weird effects in this TV Spot (such as the strange kaleidoscope effect with the buildings) may look like CGI but in the latest Empire MagazineBenedict Cumberbatch reveals that some of it was actually achieved through practical effects. “You have conceptual art that they show you, but you only really realise what you’re part of at the end of the process. That’s not to say I didn’t enjoy the effects while we were shooting, because a lot of them were real elements, whether it was sets that make a room minuscule or the costume designs’, he said.

Doctor Strange comes to our dimension on the 25th October. The film is based on the Marvel Comics’ supreme sorcerer Doctor Stephen Strange, a neurosurgeon who ends up in a car accident that severely damages the nerves in his hands, meaning he is unable to return to his career. This unfortunate turn of events leaves him bankrupt as he refuses to take jobs that involve being a consultant or an assistant and spends most of his money on further medical treatments to cure his hands (which prove to be ineffective). Stephen hears rumours about a mystical ‘Ancient One’ and sells his remaining possessions in order to afford a plane ticket to East Asia.

The film stars Benedict Cumerbatch as Doctor Strange, Rachel McAdams as Christine Palmer, Mads Mikkelson as Kaecilius, Tilda Swinton as the Ancient OneBenedict Wong as WongChiwetel Ejiofor as Baron Karl Mordo and Michael Stuhlbarg as Nicodemus West.

Agents of Shield Season 4: First ‘Sneak Peek’ Clip Released

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Hot on the trail of releasing character portraits and promos, ABC has now released the first sneak peak at the Season 4 premiere of ‘Agents of Shield’. I swear they waited until I had finished my other piece before doing so, but it’s nonetheless exciting.

The clip sees Agent May pull back Coulson and Mack from field duty in order to deliver some bad news. It seems horribly mangled bodies have been popping up everywhere, and with Daisy now viewed as the outlaw Quake, all fingers are pointing in her direction. Whilst it’s most likely the work of Ghost Rider, May seems to have lost faith in Daisy’s capacity to do good and has no trouble believing it was her.

The scene worked to set up what will likely be some major storylines running through the season. Comments about the new Director seemed to be of the negative variety, whilst May’s new attitude towards Daisy will no doubt cause some strife later on. Offhand comments about the Watchdogs suggest they might have a part to play, and it looks like Daisy is hunting for Ghost Rider. Question is, will she ultimately come around to his way of thinking, or will she rejoin her friends at Shield?

‘Agents of Shield’ Season 4 premieres Tuesday, September 20th 10pm on ABC.

Agents of Shield Season 4: Character Portraits and New Promo

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Only 4 days to go now until the Season 4 premiere of ‘Agents of Shield’ and the promotional push keeps moving forward. Today we were treated to a full cast photo, as well as official character portraits for all the main members of the cast, including John Hannah as Dr Radcliffe and Natalia Cordova-Buckley as Yo-Yo, hopefully hinting at larger roles for the two going forward.

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In addition to this a new promo has been released, giving us a few brief but awesome glimpses at the Ghost Rider’s ride, accompanied by a voiceover of him. Things are heating up now with the premiere just days away, so you all best get ready for vengeance to come.

‘Agents of Shield’ Season 4 premieres Tuesday, September 20th 10pm on ABC.

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